Fujita Tsuguharu
Fujita Tsuguharu
Master of the Milky-White Skin, Figure of the École de Paris
1886-1968 · 享年 82歳
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Three Surprising Facts
The 'Milky-White Skin': A Secret Technique That Swept 20th-Century Paris
While painting in oils in Paris, Fujita felt the conventional techniques were inadequate for rendering the skin of Western women, and developed his own method fusing the Japanese painting tradition of 'white flesh' with oil paint. Mixing 'shicalol' (baby powder) into the ground and drawing jet-black contours with the fine menso brush produced a lustrous skin that no one else could imitate. His 'Reclining Nude with Toile de Jouy (Kiki)' shown at the 1922 Salon d'Automne made a sensation, and Fujita became the darling of the Paris art world. He kept this technique secret all his life.
1968: Laid to Rest in the Foujita Chapel
In his late years, in 1959 Fujita received Catholic baptism at the Cathedral of Notre-Dame in Reims and became 'Léonard Foujita.' His godfather was René Lalou, head of the champagne house G.H. Mumm. Deeply moved by the baptism, Fujita resolved to design and build a chapel himself, and with Mumm's support completed the 'Chapel of Our Lady of Peace' in Reims in 1966. The frescoes inside the chapel were all painted by the 80-year-old Fujita himself. After his death at a Zurich hospital on January 29, 1968, he was buried in this chapel as per his will.
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Full Biography
From birth to death
Born in 1886 in Ushigome, Tokyo, as the second son of army medical officer Fujita Tsugaki. He studied Western painting at the Tokyo School of Fine Arts under Kuroda Seiki, graduating in 1910. In 1913, aged 26, he traveled alone to France and settled in Montparnasse in Paris. He befriended Picasso, Modigliani, Soutine, and Kisling of the École de Paris. Applying the line-drawing techniques of yamato-e and ukiyo-e to oil painting by self-study, he perfected nudes with delicate outlines drawn by fine Japanese brush and a 'milky-white skin' (grand fond blanc) from his own secret ground preparation. He became an overnight star in 1920s Paris. He returned to Japan in 1933. From 1938, as a war artist, he produced many war paintings; works such as 'Last Stand at Attu' won great acclaim. After the war, taken to task for his wartime cooperation, he became isolated, and in 1949 traveled to France via the United States. He naturalized as French in 1955, received Catholic baptism in 1959, and became 'Léonard Foujita.' In 1966 he completed the 'Chapel of Our Lady of Peace' (Foujita Chapel) in Reims, which he himself designed. On January 29, 1968, he died of cancer in Zurich, Switzerland, aged 81, and was buried in the chapel.
Personality
With his distinctive bowl-cut hair, round glasses, and mustache, he was affectionately nicknamed 'Fou-Fou' in Paris. He loved parties and was sociable, while also having the artisan temperament of keeping all his techniques secret. He married five times; he stayed with his wife Kimiyo to the end. He loved cats and women.
Historical Significance
A leading figure of the École de Paris, he is the only Japanese to appear in earnest in 20th-century art history at world level. His original 'milky-white skin' technique was kept secret. The Pola Museum (Hakone), National Museum of Modern Art Tokyo, and Akita Museum of Art hold many of his works; the Akita Museum houses the huge mural 'Events in Akita.' The Foujita Chapel in Reims is still open to the public.
Family Tree
Parents
Father
1854-1941
Fujita Tsugaki
Surgeon General of the Imperial Army. Junior of Mori Ogai.
Self
Fujita Tsuguharu
1886-1968
─ 完 ─
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